I’m not one of those people who can come out of nowhere.Ī lot of producers have come forward recently with stories of being screwed out of money by record labels. People who can drop things out of nowhere are JAY-Z, Drake, Beyoncé. I kind of want to build the momentum first, that way everyone knows I have something, rather than dropping things out of nowhere. I don’t wanna put anything out just because. I’m working on being real particular with my craft and the things I’m putting out. What’s the biggest change you’ve personally had to make to adapt to the streaming era? I guess that’s the new formula of getting paid, not just producers.
If there’s a million people streaming, that’s really good, because the new way of people getting paid is off streams and views. What is the biggest challenge a producer will face in the streaming era? Everyone starts off that way, with any type of business they’re in, and you grow from there. I feel like everyone to build their credibility. Down the line, you want to start getting paid. In the beginning, you do everything just for the credit, just to build your name up. What part of that side of the industry have you struggled with the most?ĪraabMUZIK: It’s basically like the business side of things, with the lawyers… Only, later on, was when I started to understand the business when it came to the publishing and royalties.
We highly suggest the use of WinRar for extracting compressed files.Our interview with AraabMuzik, which was lightly edited for content and clarity, follows.ĭJBooth: For as much as the industry has changed since your first beat placement, the business side has remained the same. If enabled, please make sure to check your spam filter, especially if you are a Hotmail or Yahoo user. Payments are made through Paypal and download links instantly sent to you via email. Please note that sound kits are delivered electronically. SAMPLERS, AND ANY INSTRUMENT OR PROGRAM THAT ROLAND SAMPLERS, MC 909, SP 808, MV 8000, YAMAHA VEGAS, FRUITY LOOPS, NATIVE INSTRUMENTS, COOLĮDIT, AKAI SAMPLERS, MPC 2000, 4000, 1000. PRO TOOLS, CUBASE, CAKEWALK, ADOBE AUDITION, RECYCLE, SONAR, REASON, ACID,ĮXS 24, GIGASTUDIO, SAMPLETANK, HALION, KONTAKT, WAVELAB, SOUND FORGE, THESE SOUNDS WERE RECORDED AND INDIVIDUALLY PROCESSED BY PROFESSIONAL ENGINEERS USING PRO TOOLS FOR THE BEST SAMPLE QUALITY AVAILABLE.ĪLL SAMPLES ARE IN 44.1KHZ/16 BIT WAV FILES FOR ANY HARDWARE OR SOFTWARE SAMPLER THAT WORK WITH. He has worked with several artists including ASAP Rocky and ASAP Mob, Cam’ron, Vado, The Diplomats, Hell Rell, Jadakiss, Busta Rhymes and Fabolous, among many others.
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